New Chris Mills directed video for BEAMS' 'You Are an Ocean"

by Will McGuirk

I was dreaming of the past, the many times I've viewed a video by Chris Mills, and was wondering about travel, about the position of mobility, moving, transportation in his work; each video seems to encompass a journey, a physical journey, from the wonderous Acorn to his homage to Leonard Cohen, always travelling. Just a thought from Canada's motorcity as I watch this new video for BEAMS, who are on their own journey. Tour dates below.

Tour dates:
Apr 21 Joe Squared- Baltimore, MD
Apr 22 Silent Barn - Brooklyn, NY
Apr 26 Mohawk Place - Buffalo, NY
Apr 27 The Wonderbar - Asbury Park, NJ
Apr 28 In the Soil Fest - St. Catherine's, ON
May 09 CMW - Toronto, ON
May 12 Heartwood - Owen Sound, ON
Jun 09 Kelly's - Bracebridge, ON

BEAMS will teach you how to love, they play the Moustache Club Apr 5

BEAMS are playing the Moustache Club Thursday Apr 5. Annie Sumi is opening. BEAMS have a new album, Teach Me To Love.

By Will McGuirk

Berlin baby, it has the pull, the pull of the nightlife - Cabaret and Kraftwerk, Bowie, Reed, Iggy and Peaches, It’s a Feistian bargain BEAMS has struck, the capital of cool imbues the Toronto band’s latest album, ‘Teach Me to Love’ but there is an accessibility, dare one say pop, to the avant-folk ramblings of Anna Mernieks, brothers Keith and David Hamilton, Heather Mazhar, Mike Duffield, Craig Moffatt and Martin Crawford.

The album marches in with simple sturdy strident sounds, mix up Kraftwerk’s “Computer Love” and Neil Young’s “Computer Age” and then play lead on a banjo or conversely just listen to the first three tracks. BEAMS play synth-pop who knew with nary a synthesizer in sight, I’m looking at you “Live In The Real World”.

“Pull of the Night” has Martha & The Muffins “like a loaf of bread in the oven you look good to me” baked in - could be the accent.

The journey through the anything goes world of Berlin the Myth continues on “I Notice Every One”  which flutters on every one from Dave Brubeck to Focus to the Beatles.

As the album progresses it moves into more prog-folk territory, with the music becoming a subtle cradle for the voices of Mernieks and Mazhar, sonics ease, less stilted Kraftwerk more the wash of Tangerine Dream, albeit covering “Heroes”, as though nothing could fall.

Ultimately its the harmonies which hold up BEAMS and with such a strong core the band can play around with the walls, whether them walls be from Berlin or no.

No videos yet for the new album but here’s some oldies but goodies.