An interview with John Lunman, director of 'WROL', open Mar 24 at DSP

By Joe Szek

Professional and community theatres have been returning and continue to move forward with a passion. With an abundance of the art form here in Durham and Toronto, why should audiences make their way to the Durham Shoestring Performers and see WROL?

John describes it as a ‘fun’ play with interesting characters but there’s more to it:

“WROL is a bit of an adventure story, but it’s also about what we’re doing to our own kids. With all the doom scrolling that’s going on, how does one go on in a world where tomorrow might or could be the end? Are we giving our children hope or are we sending an alternative message?”

Read more here at Our Theatre Voice ->

The Other Place is at Durham Shoestring Performers

By Paul Love
Guest Writer

The importance of memory, and how it shapes people’s perspectives has been a popular topic in cinema and theatre, as evidenced in films like Memento, Inception, and Rashomon, as well as plays such as Samuel Beckett’s "Waiting for Godot", and Tennessee Williams’ "The Glass Menagerie". Enter Sharr White, whose play "The Other Place" premiered at the Lucille Lortel Theatre in New York in 2011, and is currently being performed by Durham Shoestring Performers at the Arts Resource Centre in Oshawa.

Juliana Smithton is a brilliant neurologist in her early 50s who has changed from working in the lab to working the speech circuit in an attempt to drum up interest in a new medication. And her life is in turmoil — her husband is leaving her and she is struggling in her attempts to reconcile with her estranged daughter. The play opens with her recounting to the audience a touchstone moment in her life, which happened during one of her sales pitches at a neurological convention.

As the play progresses, Juliana takes the audience on a trip through her memories — from the convention speech to conversations with Juliana’s husband, Ian, and Juliana’s doctor, Dr. Teller, as well as phone conversations with Juliana’s daughter, Laurel, and back to the convention. Juliana speaks of difficulties with her health, fearing that she has a brain tumor. She also talks of her attempts to reconcile with Laurel, who ran away from home in her teens with an older man, and speaks fondly of her family’s former summer home in Cape Cod, the titular “other place”.

Ross Libbey is great as Ian, portraying a husband who tenderly struggles to support his wife, despite her outbursts and hurtful comments. He desperately tries to walk the tightrope of maintaining a happy relationship with his wife, while also trying to help her understand the cold reality of her situation. Mr. Libbey’s frustration and grave concern are felt so powerfully in a wonderfully nuanced performance.

Lyndsay Hamilton meets the challenge of tackling the three roles of Dr. Teller, Laurel, and a woman who Juliana meets unexpectedly — this last character being the strongest part of Ms. Hamilton’s performance, where she creates a great sense of confusion, fear, and I’ve-had-the-worst-day exasperation in her portrayal. Jesse Korneiew makes the most of his brief time on stage, adeptly playing a nurse and Juliana’s research assistant, Richard.

Photo by Curtis Lee

Even with great performances from the supporting cast, the success of this show rests in the hands of the actor who portrays Juliana — and thank goodness those hands belong to Nancy Gleed. With her powerhouse performance, Ms. Gleed gives us a Juliana who immediately pulls us in with a confident, conspiratorial vibe that gets the audience to root for her almost immediately. We see a Juliana who speaks in confident, clipped tones that effectively suggest a confidence built up on very unsteady ground. We see a Juliana who becomes sarcastic and dismissive when anyone challenges her, becoming all the more acidic if these challenges persist. We see a Juliana who is awkwardly and desperately attempting to share a positive moment with her estranged daughter. And we see a Juliana who is tired and scared, helpless to fight against the chaos and confusion of her collapsing life.

Director Phil Ireland creates a wonderful sense of fluidity with the blocking he has chosen for this show: we get a sense of parts of the set representing different locations in Juliana’s memory — her home, the stage at the convention, the doctor’s office — and Juliana wanders through them as her mind does. There are even moments where she weaves herself around other characters — even when speaking with them on the phone — giving those moments a sense of memory-like surrealism.

THE OTHER PLACE is at times funny, emotional, heart-wrenching, and poignant. Do yourself a favour and go see this great Durham Shoestring production, being performed at the Arts Resource Centre in Oshawa. Remaining performances are January 24, 25, 26, and 27.